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A R T E M I S  C H R Y S O S T O M I D O U

2021

(upcoming)

Writer, Stage Director

Manipulation and other romantic stories

Frankfurt LAB, Germany

2021

TRAVERS – Confront the future

Multidisciplinary project

Copenhagen Contemporary, Denmark

2020

Writer, Stage Director

Mortality, hooray

Expo Festival, English Theater Berlin

2020

Butter knife

Pre-project in synergy with Riipinen H.

funded by Kulturrådet, Arts Council Norway

2020

Text Based Art

May I have a glass of pain, please?

Temporars, Muzeum Susch, Art Stations Foundation Switzerland

2020

Speaker

2020 Nicosia Book Festival

2019

Utopia and Absence

Ejerslev Dreaming Festival, Denmark

2019

ETC International Theatre Conference

Staatsschauspiel Dresden

2019

Regiehospitanz

Düsterbusch, City Lights, Alexander Kühne | Cornelia Crombholz

Theater Magdeburg, Schauspielhaus

2019

Writer, Stage Director

A guide on how to prevent daily life accidents

BIOS exploring urban culture, Main Stage, Athens

2018

Dogs don’t bark in France | Sculpture

To Rodakio Publications

Dimensions: 21x14 | Number of pages: 112


2018 State Prize of Literature, Best Young Writer

2017

Dramaturgy

Divine Comedy, Dante Alighieri | Argyro Chioti, VASISTAS

SGT Onassis Foundation, Athens

2016

Dramaturgy

Apologies 4&5, Efthimis Philippou | Argyro Chioti, VASISTAS

Athens International Festival

2012 / 2013

Co-director

Interdisciplinary educational program in corporation with a molecular immunologist

Aberdeen, Scotland | Nicosia, Cyprus

2011

Writer, Stage Director

Words like Oedipus II, Death came as half a human

Clio Theatre, Thessaloniki

2011

Writer, Stage Director

Words like Oedipus I, The cost of living

Clio Theatre, Thessaloniki

2011

Writer, Stage Director

The flesh has its own spirit

BLOCK 33 art space, Thessaloniki

 

AWARDS & FELLOWSHIPS


2021 Frankfurt LAB

2020 Temporars by Muzeum Susch, Art Stations Foundation Switzerland

2019 European Theatre Convention, European Emerging Artist


2018 State Prize of Literature, Best Young Writer

 

ABOUT

Dealing with accurate wording and reactions as existential humorous poetry,
she considers that aesthetics are an ethical statement which manifests our presence.
Performative, writing and exhibition space
are areas of consistency and high risk in the terms of reality and absurdity,
simplicity and precision, tenderness and bravery.
Art can no longer be interested in a story but in the acceleration of thought.