A R T E M I S C H R Y S O S T O M I D O U
2021
(upcoming)
Writer, Stage Director
Manipulation and other romantic stories
Frankfurt LAB, Germany
2021
Multidisciplinary project
TRAVERS – Confront the future
Copenhagen Contemporary, Denmark
2020
Writer, Stage Director
Mortality, hooray
Expo Festival, English Theater Berlin
2020
Writer, Stage Director
Butter knife
Pre-project in synergy with Riipinen H.
funded by Kulturrådet, Arts Council Norway
2020
Text Based Art
May I have a glass of pain, please?
Temporars, Muzeum Susch, Art Stations Foundation Switzerland
2020
Speaker
2020 Nicosia Book Festival
2019
Writer
Utopia and Absence
Ejerslev Dreaming Festival, Denmark
2019
Fellow Artist
ETC International Theatre Conference
Staatsschauspiel Dresden
2019
Regiehospitanz
Düsterbusch, City Lights, Alexander Kühne | Cornelia Crombholz
Theater Magdeburg, Schauspielhaus
2019
Writer, Stage Director
A guide on how to prevent daily life accidents
BIOS exploring urban culture, Main Stage, Athens
2018
Writer
Dogs don’t bark in France | Sculpture
To Rodakio Publications
Dimensions: 21x14 | Number of pages: 112
2018 State Prize of Literature, Best Young Writer
2017
Dramaturgy
Divine Comedy, Dante Alighieri | Argyro Chioti, VASISTAS
SGT Onassis Foundation, Athens
2016
Dramaturgy
Apologies 4&5, Efthimis Philippou | Argyro Chioti, VASISTAS
Athens International Festival
2012 / 2013
Co-director
Interdisciplinary educational program in corporation with a molecular immunologist
Aberdeen, Scotland | Nicosia, Cyprus
2011
Writer, Stage Director
Words like Oedipus II, Death came as half a human
Clio Theatre, Thessaloniki
2011
Writer, Stage Director
Words like Oedipus I, The cost of living
Clio Theatre, Thessaloniki
2011
Writer, Stage Director
The flesh has its own spirit
BLOCK 33 art space, Thessaloniki
AWARDS & FELLOWSHIPS
2021 Frankfurt LAB
2020 Temporars by Muzeum Susch, Art Stations Foundation Switzerland
2019 European Emerging Artist, European Theatre Convention
2018 State Prize of Literature, Best Young Writer
ABOUT
Dealing with accurate wording and reactions as existential humorous poetry,
she considers that aesthetics are an ethical statement which manifests our presence.
Performing, writing and exhibition space
are areas of consistency and high risk in the terms of reality and absurdity,
simplicity and precision, tenderness and courage.
Art can no longer be interested in a story but in the acceleration of thought.